
I have recently restrung my Gibson - an LG1 perfect creation, and it now sounds fabulous again. I use 12-53, phosphor bronze D’Addarios, great strings for this weight.
The next one to do is the Takamine - a single cut away £1000 job from about ‘95. Really nice blond maple finish, with rosewood fretboard and simple inlay. Electro Acoustic, so it plugs in and sounds great, as well as being good acoustically. I use the same weight D’Addarios on this one too.
After that comes the Gretsch, 10’s (Rotosound?). A Broadcaster model, dark sunburst, f-hole thin/wide body, great condition, no wammy bar, about 25 years young. Incredible perfect guitar for my electric needs. Soul and fire, as they say.
Then I have a 12 string, Fender Shenandoah. Made famous by the Kinks, this one is at least 30 years old, in great nick. The steel truss rod through the whole body is the special characteristic with this one, so strumming sounds just like ‘America’ or thin paper shuffling, totally magic in my opinion. (There is also a 6 string model that makes a a matching pair, Ive yet to find one…)
Lastly, the small custom spanish job, nearly 50 years old, Austrian, hand made. I use gut D’Addario or similar, light to medium gauge. It sounds, to me, exactly the way a spanish should sound, earthy and simple. Clean, precise with good tuning up and down the neck, I regularly detune/retune and never have any problems with it.
That’s it then - them and me, we come as a package.
(This was originally posted on Facebook, in Nov 2007.)